Christopher is a multi-talented writer-director-actor who has worked on over 150 films, theatrical productions, VR, videogames, and immersive entertainments on three continents. He has worked with and trained Hollywood talents such as Alex Reid, Tanya Saracho, Raul Castillo, Emily Deschanel, Lindsey Lohan, Dan Folger, Keith David, Zakes Mokae, Diane Ladd, as well as rising pop stars Tyler Cole and Madison Rose and punk goddess Haley Dahl of Sloppy Jane. His first feature film as a writer/director ‘The Bellwether’ (the world’s first female-lead solo film) was released in 2019. His award-winning shorts have also been distributed worldwide. He has been a development executive and story consultant for Hollywood. He has also written and directed 360-films. He has been commissioned for features, television pilots, and plays alike. He is also a narrative designer and has written for several videogames. His branching narrative VR piece “The Werewolf Experience” is funded by various branches of the Belgian government and is currently in production. His 360 volumetric capture series, “Drunk Zombie Duelists” received a Dutch grant to film a proof-of-concept this April, for which he has partnered with Media Monks, one of the world’s largest digital marketing agencies. In his theatrical career he has worked at some of the largest and well-respected theatre companies (Cirque du Soleil, The Berkeley Repertory Theatre, The Huntington Theatre Company [both Tony winners]). He helped create and performed with Cirque du Soleil for their first ever immersive environment. He ran Broken Buddha Productions for ten years exploring the intersection of theatre, dance, circus, martial-arts, gymnastics, stage-combat, and more, producing and directing five movement-based pieces for that company. He is also an award-winning fight choreographer. Four of his plays have been produced in California; Chicago; and Melbourne, Australia. Morrison is a co-founder of Impact Theatre in Berkeley, California, which lasted 20 seasons. His directing has been called “A brave move towards a different style of theatre,” and Cirque du Soleil called him “A huge asset to the creative process.” His theatrical direction has been seen on both coasts of the States as well as Chicago.